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Showing 1–48 of 52 results
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MAN Madrid Iberian Falcata
SKU: AH2158Inspired by a 4th–3rd century BC Falcata recovered from Almedinilla, Córdoba, and now held in the Museo Arqueológico Nacional (MAN) in Madrid, this piece offers collectors a museum-grounded interpretation of one of ancient Iberia’s most feared and beautifully crafted blade forms — its distinctive horse-head brass fittings among the finest decorative work found on surviving examples.
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Iberian Falcata – Brass Full Hand Guard
SKU: AH2157This Iberian Falcata features a full brass hand guard, providing enhanced protection for the wielder’s hand in a design choice that reflects practical battlefield considerations alongside the blade’s characteristic devastating cutting power — a refinement found on some of the higher-quality examples of this feared Celtiberian sword.
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Iberian Falcata – Bronze Fittings
SKU: AH2156A refined interpretation of the Iberian Falcata, this version features carefully crafted bronze fittings on the hilt — a material choice that reflects the metalworking sophistication of Celtiberian craftspeople, who produced some of pre-Roman Europe’s finest decorative bronze work alongside their feared edged weapons.
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Bronze Horse head Iberian Falcata
SKU: AH2155As feared as it was renowned, the Bronze Horse Head Iberian Falcata transports the collector to an age of fierce Celtiberian warriors defending their lands against Roman invasion. This bronze-fitted version carries the inward-curving, double-edged blade that inspired genuine fear in the heart of the Roman Republic before the Iberian Peninsula was finally conquered following the Second Punic War.
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The Falcata was the primary sidearm of the Celtiberian warriors who fought against Carthage and Rome during the bloody conflicts of the 3rd–2nd centuries BC. When Hannibal crossed the Alps with his army in 218 BC, his Iberian and Celtiberian troops carried Falcatas — and Roman soldiers who survived encounters with them described their cuts as uniquely devastating. The horse head hilt is one of the most distinctive and beautiful features of the finest Iberian examples.
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Iberian Falcata (Wooden Handle) Met Museum
SKU: AH2152The Falcata struck fear into the Roman legions who first encountered it during the conquest of Hispania — a forward-curving, single-edged sword capable of cutting through helmets and shields with a single blow, according to the Roman historian Livy. This wood-grip version offers a faithful interpretation of the type carried by Celtiberian warriors who fought against Rome through the long campaigns of the 2nd and 1st centuries BC.
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Wolf Cuff Pair
SKU: AH5528 -
Pictish-Style Leather Bag with Beading
SKU: AH6194This bag draws on the artistic traditions of the Picts, the confederation of peoples in early medieval Scotland known for intricate carved stonework and metalwork rather than surviving textiles or leather. Detailed leather beading decorates the surface, translating the spirit of Pictish decorative art into a genuinely wearable accessory. Crafted from premium leather, this bag offers a distinctive alternative to the more commonly reproduced Roman, Viking and medieval bag styles.
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Celtic Helmet, Antique Finish
SKU: AH5506DCeltic helmets were common chiefly among the Gauls, particularly the upper-class warriors who could afford such high-quality craftsmanship. These well-made Celtic designs carried real influence beyond their own culture, shaping the helmet forms Rome itself would later adopt as its legions expanded across Western Europe. This antique-finished version gives the essential Celtic helmet form a weathered, aged surface treatment for a more archaeological display presentation.
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Leather Wrist Cuff, Triskele, Small
SKU: AH5534This Celtic wrist cuff carries a spiralled triskele, cast in fine antiqued brass and riveted onto high-quality vegetable-tanned leather. The triskele, a three-branched spiral, is among the most widely used symbols in Celtic art, its exact origins predating the Celts themselves and stretching back to pre-Celtic traditions found as far afield as Scandinavia and Iberia. The cuff is bordered in antiqued brass studs, in a smaller sizing for a closer, more compact fit.
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Leather Wrist Cuff, Floral Motif, Single
SKU: AH5532This wrist cuff carries a floral motif cast in finely detailed antiqued metal and riveted onto the leather. Floral and spiral patterning appears widely across Celtic decorative art, offering a softer visual counterpart to the animal motifs common on other cuffs in our range. The leather itself is thick, well-dyed, vegetable-tanned leather of genuine quality.
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Leather Celtic Cuff, Wild Boar, Pair
SKU: AH5529The boar held particular significance in Celtic culture as a symbol of courage, ferocity and status, frequently depicted on weapons, standards and jewellery. This pair of leather cuffs carries that boar motif cast in detailed metal and riveted onto thick, vegetable-tanned leather. A matched pair, suited to a Celtic historical impression or general Celtic-inspired wear.
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Leather Celtic Belt, Long
SKU: AH5530This long leather belt offers a versatile Celtic-inspired accessory suited to a range of body sizes and wrapping styles. Simpler than our grommet-decorated Celtic belts, this version favours plain, functional leather construction. Fully wearable, it suits a Celtic historical impression or general leather accessory use.
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Celtic Cuff, Wild Boar Design II
SKU: AH5527The Celtic cuff descends from the torc, the open-ended metal ring worn at the neck, wrist or arm across Celtic Europe as a mark of status, rank and sometimes protective or spiritual significance. This cuff carries a second wild boar design, an animal that held particular significance in Celtic culture as a symbol of courage, ferocity and status, frequently depicted on weapons, standards and jewellery. Adjustable and cast in brass, it offers an alternative rendering of the boar motif to our other Celtic boar cuff, for collectors wanting a distinct pattern.
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Celtic Cuff, Bird Design
SKU: AH5526The Celtic cuff descends from the torc, the open-ended metal ring worn at the neck, wrist or arm across Celtic Europe as a mark of status, rank and sometimes protective or spiritual significance. This cuff carries a bird motif, drawing on a recurring theme in Celtic art and mythology, where birds were frequently linked to prophecy, the otherworld and divine messengers. Adjustable and cast in brass, it represents the figurative, animal-motif end of the historical range of Celtic arm and wrist jewellery.
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Celtic Cuff, Boar Design
SKU: AH5525The Celtic cuff descends from the torc, the open-ended metal ring worn at the neck, wrist or arm across Celtic Europe as a mark of status, rank and sometimes protective or spiritual significance. This cuff carries a boar motif, an animal that held particular significance in Celtic culture as a symbol of courage, ferocity and status, frequently depicted on weapons, standards and jewellery. Adjustable and cast in brass, it represents the figurative, animal-motif end of the historical range of Celtic arm and wrist jewellery.
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Celtic Helmet, Standard Pattern
SKU: AH5506Celtic helmets were common chiefly among the Gauls, particularly the upper-class warriors who could afford such high-quality craftsmanship. These well-made Celtic designs carried real influence beyond their own culture, shaping the helmet forms Rome itself would later adopt as its legions expanded across Western Europe. This standard pattern reflects the essential Celtic helmet form carried across Iron Age Western Europe before and during Rome's conquest of Gaul.
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This black leather belt features brass metal grommets set around its entire circumference, a decorative treatment drawing on Celtic material culture and metalworking traditions. Celtic craftsmen were skilled metalworkers, and decorative brass and bronze fittings on leather goods reflect a genuine strand of that broader tradition. Fully wearable, this belt suits a Celtic historical impression or general leather accessory use.
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Celtic Torc Phalera, Lion Heads, Tin-Coated Brass
SKU: RPT7560TRoman military decorations included torc-shaped medals alongside true phalerae discs, a tradition beginning in 361 BC when the consul Titus Manlius Torquatus defeated a Gallic chieftain in single combat and took the man’s torc as a trophy, wearing it himself thereafter.
This example recreates that torc-form decoration with lion-head terminals, worn by soldiers as a badge of honour that, unlike some other awards, could be displayed publicly at all times.
This reproduction is cast in brass and tin-coated, weighing approximately 50g, sold as a standalone component for mounting onto a belt, harness, or armour.
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Celtic-Style Square Fitting, Antique Brass, Set
SKU: RPTB95015This decorative square fitting draws on Celtic design tradition, cast in brass and finished with an antique look.
Sold as a set, this reproduction offers a genuine component for decorating a shield, scabbard, or belt with authentic Celtic-inspired detailing.
Deepeeka’s reproduction offers that decorative Celtic fitting, part of our D-I-Y Components range.
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Celtic-Style Nose Guard Fitting, Antique Brass
SKU: RPTB95011This fitting recreates a nose guard component in Celtic decorative style, cast in brass and finished with an antique look, suited to a helmet build.
This reproduction measures approximately 6.8cm, offering a genuine component for building or restoring a Celtic-styled helmet.
Deepeeka’s reproduction offers that decorative Celtic fitting, part of our D-I-Y Components range.
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This decorative flower fitting draws on Celtic design tradition, cast in brass and finished with an antique look, a compact alternative to our large Celtic flower.
Sold in packs of 6, this reproduction offers a genuine component for decorating a shield, scabbard, or belt with authentic Celtic-inspired detailing.
Deepeeka’s reproduction offers that decorative Celtic fitting, part of our D-I-Y Components range.
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This decorative flower fitting draws on Celtic design tradition, cast in brass and finished with an antique look, sized larger than our small Celtic flower.
Sold in packs of 6, this reproduction offers a genuine component for decorating a shield, scabbard, or belt with authentic Celtic-inspired detailing.
Deepeeka’s reproduction offers that decorative Celtic fitting, part of our D-I-Y Components range.
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This decorative disc fitting draws on Celtic design tradition, cast in brass and finished with an antique look.
Sold in packs of 6, this reproduction offers a genuine component for decorating a shield, scabbard, or belt with authentic Celtic-inspired detailing.
Deepeeka’s reproduction offers that decorative Celtic fitting, part of our D-I-Y Components range.
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Torc Phalera, Brass (Legacy Listing)
SKU: RPT7560Phalerae were a genuine class of Roman military decoration, gold, silver or bronze discs awarded to centurions and standard-bearers for acts of valour and worn as a set on the chest harness during parades, sometimes mounted on the staffs of unit standards. The tradition traces back to ancient Greek phalara, adorning armour and horse harness, adopted by Rome via the Etruscans by the 4th century BC, and the term survives today in “phaleristics,” the study of orders and decorations.
This listing appears to be an earlier, uncoated brass version of our Celtic torc-form phalera, since it shares the same design as its tin-coated counterpart (listed separately with a “T” suffix SKU) but carries no price or dimensional data in our current catalogue.
Please confirm with your catalogue team whether this legacy listing should be merged with its tin-coated equivalent, re-priced as a distinct plain-brass option, or discontinued.
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Celtic Mirror “Etruscan” – Angel (Large )
SKU: AH5552 -
Celtic Mirror, Two Bird Motif, Medium, Brass
SKU: AH5551This brass mirror recreates the decorated La Tène mirrors that are, remarkably, a uniquely British object type, with around 26 fully intact, richly decorated examples surviving from the British Iron Age, dating roughly 100 BC to AD 70.
This medium-sized version carries a two-bird decorative motif, reflecting the curvilinear, nature-inspired patterns found on surviving originals like the Desborough and Holcombe mirrors, generally recovered from graves and long associated with high-status ownership.
This reproduction is worked in brass, part of our Celtic heritage range.
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This bronze mirror recreates the decorated La Tène mirrors that are, remarkably, a uniquely British object type, with around 26 fully intact, richly decorated examples surviving from the British Iron Age, dating roughly 100 BC to AD 70.
Surviving originals like the famous Desborough Mirror combine a highly polished reflective face with an intricately engraved reverse, their curvilinear spirals and basket-weave patterns among the finest expressions of Celtic La Tène art, generally recovered from graves and long associated with high-status female ownership, though the evidence for that connection remains genuinely debated by archaeologists.
This reproduction is worked in bronze and comes complete with a carrying bag, part of our Celtic heritage range.
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Celtic Cuff, Knotwork Design
SKU: AH5524The Celtic cuff descends from the torc, the open-ended metal ring worn at the neck, wrist or arm across Celtic Europe as a mark of status, rank and sometimes protective or spiritual significance. This cuff carries a knotwork-style decorative pattern, echoing the interlaced designs that are among the most recognisable hallmarks of Celtic art. Adjustable and cast in brass, it sits between the plainest unadorned cuffs and the more figurative animal-motif designs in our range.
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Celtic Cuff, Dragon Design
SKU: AH5523The Celtic cuff descends from the torc, the open-ended metal ring worn at the neck, wrist or arm across Celtic Europe as a mark of status, rank and sometimes protective or spiritual significance. This cuff carries a dragon motif, a creature that recurs across Celtic art and later medieval Celtic-influenced traditions as a symbol of strength and power. Adjustable and cast in brass, it recreates the more decorated end of the historical range of Celtic arm and wrist jewellery, in contrast to plainer, unadorned examples.
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Celtic Cuff, Plain Design
SKU: AH5522The Celtic cuff descends from the torc, the open-ended metal ring worn at the neck, wrist or arm across Celtic Europe as a mark of status, rank and sometimes protective or spiritual significance. Roman writers such as Diodorus Siculus described Celtic warriors adorned with gold bracelets and heavy neck rings, and captured torcs were prized enough as war trophies that a Roman general once took the nickname “Torquatus” after winning one in single combat. This adjustable brass cuff recreates that open-band form in a plain, unadorned pattern, true to the simpler end of the historical range of Celtic arm and wrist jewellery.
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Celtic Leather Purse, Brass Motif
SKU: AH4144This leather purse is adorned with a meticulously carved brass metal piece, showcasing intricate Celtic-style decorative detailing. Combining genuine leather craftsmanship with cast metal ornamentation, it reflects the decorative traditions Celtic metalworkers were renowned for. A practical, historically inspired purse suited to a Celtic impression or general leather goods use.
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This brown leather belt features brass metal grommets set around its entire circumference, a decorative treatment drawing on Celtic material culture and metalworking traditions. Celtic craftsmen were skilled metalworkers, and decorative brass and bronze fittings on leather goods reflect a genuine strand of that broader tradition. Fully wearable, this belt suits a Celtic historical impression or general leather accessory use.
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Brass Bracelet, Historical Pattern
SKU: AH4252This bracelet is worked in brass, styled after historical arm ornaments worn across many ancient and medieval cultures as a mark of status and personal adornment.
Bracelets and armlets of this kind carried real social weight in many pre-modern societies, often signalling wealth, rank, or achievement to those who saw them worn.
Deepeeka’s reproduction recreates that historical brass bracelet form, part of our Collectibles & Gifts range.
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The anthropomorphic hilt — where the grip of a sword is shaped in the form of a human figure, the legs forming the guard and the raised arms and head creating the pommel — is one of the most distinctive and archaeologically significant features of La Tène Celtic sword culture. Found across Britain, France, Switzerland and the Balkans, these talismanic hilts were believed to enhance the power of the owner and carry protective significance beyond their functional role.
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La Tène Celtic Dagger with Wooden Hilt
SKU: AH4325A practical La Tène Celtic dagger in the Iron Age tradition — the everyday sidearm of the Celtic warrior world, carried alongside longer swords or as a standalone blade for those who could not equip themselves with the fuller sword kit. The wooden hilt reflects the organic material tradition of La Tène blade furniture, where bone, wood and horn were the standard grip materials before more elaborate metalwork was applied to prestige pieces
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Celtic Mail Shirt
SKU: AH6813Mail armour is widely believed to have originated with Celtic smiths, whose riveted-ring construction techniques were later adopted and refined by the Romans as the lorica hamata. This reproduction recreates a Celtic-style mail shirt, battle-ready and covering the torso and upper arms. A genuinely foundational piece of armour history, predating the Roman adoption of the same basic technology.
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Celtic Helmet, Brass
SKU: AH5503Celtic helmets were common chiefly among the Gauls, particularly the upper-class warriors who could afford such high-quality craftsmanship. These well-made Celtic designs carried real influence beyond their own culture, shaping the helmet forms Rome itself would later adopt as its legions expanded across Western Europe. A brass construction reflects one of several metals Celtic smiths worked with, alongside iron and bronze, depending on regional tradition and the wearer's means.
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A larger La Tène Celtic dagger bridging the boundary between dagger and short sword — its cast bronze anthropomorphic hilt combining the prestige material of bronze with the talismanic human-figure tradition that runs through the finest La Tène blades. Where the wooden-hilt dagger served the ordinary warrior, a bronze-hilted anthropomorphic piece represented a significant personal investment and a statement of cultural identity.
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Hallstatt Bronze Antennae Sword – Witham Type
SKU: AH2101NThe antennae sword is among the most visually distinctive blade forms of the European Bronze-to-Iron Age transition — its name taken from the paired spiral terminals atop the pommel, resembling an insect’s antennae. The Witham type, named after finds from the River Witham in England, represents one of the finest expressions of this form, carried by Celtic warriors during the Hallstatt period as Europe shifted from bronze to iron weaponry.
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A compact companion to the full-length Hallstatt Celtic sword, this short sword sidearm reflects the same leaf-shaped blade tradition in a more practical, close-quarters form. Dating to the Late Bronze Age to Early Iron Age transition (c. 800–500 BCE), short swords of this type served alongside longer blades and spears in the warrior panoply of early Celtic Europe.
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The face-pommel type of anthropomorphic Celtic dagger is among the most visually striking objects the Iron Age world produced — its cast brass hilt terminating in a clearly rendered human face, the features articulated with the characteristic geometric precision of La Tène Celtic art. Found across the Celtic world from Britain to the Balkans, these face-pommel daggers combined martial function with symbolic power, the human face believed to invest the blade with talismanic protection.
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A spear inspired by a spearhead found in a La Tène burial site, reflecting the Iron Age Celtic material culture that flourished across much of Europe.
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A spear inspired by a spearhead found in a La Tène burial site, its leaf-shaped blade one of the recognisable Iron Age Celtic forms that gave the wider La Tène culture its name.
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Hallstatt Celtic Bronze Sword – Leaf Blade Type
SKU: AH2102NThe leaf-shaped blade is one of the most enduring sword forms of prehistoric Europe, its widened cutting edge tapering to a sharp point in a profile reminiscent of a leaf or willow frond. This Hallstatt-period example represents the form at the height of Celtic bronze-working achievement, dating to the transition between the Bronze Age and early Iron Age, roughly 800–500 BCE.
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Great Torc, Snettisham Pattern, Brass-Plated
SKU: AH4250This brass-plated neck torc is based on a genuine find from Snettisham, Norfolk, England, dated to the 1st century BC, one of the richest deposits of Iron Age precious-metal torcs ever discovered.
The Snettisham Hoards, excavated across the 20th century, yielded dozens of torcs of varying size and craftsmanship, revealing the extraordinary metalworking skill of late Iron Age Celtic Britain and the genuine social importance of the torc as a marker of status and identity.
This reproduction has an internal width of 160mm and terminal dimensions of 60mm x 47mm, part of our Celtic heritage range.
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The full-length version of the La Tène Celtic anthropomorphic sword — one of the finest and most archaeologically grounded Celtic sword forms, its human-figure hilt combining with a broad slashing blade to produce the definitive weapon of the Late Iron Age Celtic warrior. Found across the Celtic world from Britain to the Balkans, these talismanic blades were among the most personally significant objects a Celtic warrior could own.
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A mid-length La Tène Celtic sword in the tradition of the Iron Age warrior culture that spread across Europe from approximately 450 BC — bridging the shorter sidearm forms and the full-length slashing swords that are the La Tène’s most celebrated products. The minimalist wooden hilt reflects the organic construction typical of La Tène swords, where the blade was the primary investment of craftsmanship and the hilt made from available natural materials.
